In The Dark Side of the Screen: Film Noir, founding noir critic Foster Hirsch opines that good noir is ruined when it becomes political and tries to bear a specific social message. Darkness, anxiety, corruption, crime, and inexorable fate are noir's territory,... Continue Reading →
The more I watch and study film noir, the deeper and more interesting the rabbit trail gets. There are so many loops and turns and connections to history, culture, politics, and artforms. I have been exploring the World War II... Continue Reading →
I came across Smash-up: The Story of a Woman (1947) while engaging in a combination of research on the Hollywood Blacklist and searching for new films to livetweet on Sunday evenings (via hashtag #BNoirDetour). To fill my HUAC research interests, I... Continue Reading →