This was a rather schizophrenic week for me, split between classic Westerns and classic Cukor. Highlights: I'm no John Wayne fan. And the more stylized he gets, the less I like him. (Once he's in color, he reminds me of... Continue Reading →
Fritz Lang is known as one of the greatest directors of film noir, one of its founding forces in Hollywood cinema. His career in Weimar cinema and talent for German Expressionism brought for such classics as Metropolis (1931) and M (1931) -- the latter... Continue Reading →
There is a subgenre of noir that brings the characteristic visual style and the narrative of distrust to a different age. British settings of the Edwardian era proved particularly popular, as seen in such films as The Lodger (Hitchcock, 1927) and Hangover Square (John... Continue Reading →
Prolific gay Hollywood director George Cukor was labeled a “woman’s director” early in his career. The term was partly a homophobic slur, but it also points to his success with actresses, particularly strong-willed or “difficult” stars, from Joan Crawford to... Continue Reading →
As a film noir blogger, there could be no question about my contributing to the "Remembering Barbara Stanwyck Blogathon" hosted by In the Good Old Days of Classic Hollywood. Stanwyck is a highlight of the original Hollywood noir cycle, starring in... Continue Reading →
While perusing films that might be appropriate for #BNoirDetour, I stumbled across Wives Under Suspicion, directed by James Whale. I’d never heard of it, but the title seemed pretty noir. Also, I’ve seen very few of Whale’s productions and I... Continue Reading →
Here is MovieMovieBlogBlog’s announcement of the #BNoirDetour double feature for Sunday:
The lovely Salome at BNoirDetourhas once again pulled a “Mike Douglas” and is generously allowing me to co-host her Sunday-night Live Tweet as a double feature. So we’re showing a couple of films-noir that have to do with the fracturing of famous faces.
First at 9:00 p.m. EST, Salome brings us The Face Behind the Mask (1941), starring Peter Lorre and Evelyn Keyes. Salome will probably write about this movie on her own blog, so I don’t want to give too much away myself. Suffice to say, Peter Lorre really gets burned in this movie, in more ways than one.
Then at 10:20 p.m. EST, I rudely push Salome aside so that I can present The Scar (1948). It stars Paul Henreid as a gangster on the run who hightails it to a small town, where he discovers that he bears a striking resemblance to the town’s psychoanalyst…
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